movies

‘John Wick’ Universe: Donnie Yen to Direct Spinoff Centered on Blind Assassin Caine‘John Wick’ Universe: Donnie Yen to Direct Spinoff Centered on Blind Assassin Caine

‘John Wick 5’ Set with Keanu Reeves and Director Chad Stahelski

‘John Wick’ Sets Animated Prequel Film With Keanu Reeves

cross-posted from: https://lemmy.world/post/27623988

Warner Bros. has agreed to a deal with Ketchup Entertainment to give its embattled Looney Tunes movie a theatrical run.

There's the old claim that test screenings don't make a movie. Still, It’s interesting how James Gunn and Warner Bros have allowed “Superman” to test so openly given the inevitable leaks that could occur, not to mention the risk of having negative reactions pummeling advanced hype.

Yes, a few days ago, “Superman” had its first non-internal test screening — I only spoke to a few attendees. Suffice it to say, they both felt underwhelmed by Gunn’s film, and I'm being kind here. No need to taint the film further.

Now, reporting on two people who didn’t like “Superman” doesn't mean much in terms of quality. I've heard of people being turned off by the inherent humor, and silliness, that comes with a James Gunn movie — which Superman seems to have in spades.

So far, based on what’s leaked, we've had the usual “scoopers” weighing on the reactions. MyTimeToShineHello says the reactions were “decidedly mixed.” According to “insider” Daniel Richtman, people he spoke to “loved it.”

Yesterday, scooper ViewerAnon shared, "The response I heard directly from Warner Bros was decidedly less glowing than Daniel [Richtman]'s post. Not to say it went terribly, but it’s a divisive film with a particularly silly tone. Some people click with it, some seem to bounce right off."

In a nut shell, people are creating film trailers with AI and sharing on YouTube. Film studios are now asking Google for a slice of the profits as it's their intellectual property.

In an unexpected upset, the Jason Statham thriller “A Working Man” has taken the No_ 1 spot at the box office, besting the rapidly declining performance of “Snow White.”

cross-posted from: https://lemmy.dbzer0.com/post/41206778

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In an interview with Vanity Fair, the actress admitted: “I don’t have many friends, because of who I am. I didn’t go to school, so I don’t have the best social skills.”

She’ll be able to retire there when the algorithm is no longer counting on her. For now, after Stranger Things and the third Enola Holmes movie, she’s signed another film with Netflix. According to Bloomberg, in the third season of Stranger Things, she earned $250,000 per episode. Millie Bobby Brown is the closest thing to those classic movie stars who had exclusive contracts with a studio. It was their home — like Marilyn Monroe with Fox or James Stewart with MGM. The difference today is that she’s a movie star without stepping foot in a movie theater.

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The filmmaker behind classics like ‘Predator’ and ‘The Hunt for Red October’ is working on his first film in more than 20 years, as well as a book about his experience in prison

In conversations about the golden age of Hollywood action films, references to one or more of the films of John McTiernan (Albany, New York, 74 years old) are inevitable. In the late glow of the 1980s alone, the director shot three back-to-back classics: Predator (1987), Die Hard(1988) and The Hunt for Red October(1990). After receiving a tribute in Paris from the French Cinemathèque, McTiernan visited Spain to collect the honorary award he received this year from the Sombra fantasy film festival. The veteran filmmaker is grateful for the successive career recognitions, but as he tells EL PAÍS, he’s far from calling it a day. As he revealed in talks organized by Sombra, more than 20 years after his last film, he is planning his return to the big screen, though he’s still reluctant to share many details. “I’m a little superstitious about talking about movies until we’re shooting them. I’ve had a couple of independently financed films that I was certain were going to happen and then didn’t. I’m just going to wait and see.”

Really a very sweet movie.

Filmmakers and studio executives, be warned: a long-suspected Oscars curse may in fact be real.

Over the past 13 years, the vast majority of best director winners have followed up their wins with disastrous films that tanked at the box office or alienated viewers. These films ultimately brought the highs of a career-defining moment crashing down to the reality of the fickle and unpredictable tastes of modern audiences.

Take a look and a pattern becomes clear: Ang Lee’s Life of Pi (2012) follow-up Billy Lynn’s Long Halftime Walk (2016) was a box office disaster. Damien Chazelle’s La La Land (2016) follow-up First Man (2018) failed to connect. Guillermo del Toro’s Nightmare Alley (2021) didn’t come close to making back its budget after The Shape of Water (2018) dazzled the Academy. Chloé Zhao followed up the gorgeous Nomadland (2020) with the would-be superhero franchise starter, Eternals (2021). That one landed with a thud.

The heretofore suspected best director curse — seen as early as 1980 with the epic Western and studio bankrupting Heaven’s Gate, Michael Cimino’s post-The Deer Hunter dud — lurched into full view in recent weeks with Mickey 17, Bong Joon Ho’s big-budget, big-swing sci-fi bomb.

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And hey, maybe the curse isn’t real and something else is happening here. Doherty suggested to THR that the best director Oscar may create a halo effect around the filmmaker, which can play a part in dooming his or her follow-up project.

“I wonder if the people working with the director — producers and writers and actors — are over-awed and therefore less willing to question his/her judgment because his/her auteurist brilliance has been validated by the industry’s highest award,” he said. “Back in the studio days, a mogul could tell the director on the payroll the film was too long and he needed to cut 25 minutes. And that was that. Who today would have the stones to say that to Martin Scorsese or Christopher Nolan?”

The long-awaited Red Sonja movie reboot is one step closer to arriving on movie screens worldwide. The film’s release was delayed as the producers secured a theatrical release and an R-rating in the United States. Both these tasks have now been accomplished.

The character of Red Sonja was originally created as a supporting character for Marvel Comics‘ Conan the Barbarian comic series. Based on two historical heroines created by Robert E. Howard (Red Sonya of Rogatino and Dark Agnes), she was intended to act as a foil to the young Conan. Sonja grew to be popular in her own right, with her comics inspiring a 1985 film starring Brigitte Nielsen. However, the finished film took little from the source material, and was an infamous box office bomb.

Deadline confirmed that Samuel Goldwyn Films will distribute the Red Sonja movie reboot. The MPAA later confirmed the movie had been presented with an R-rating for “strong/bloody violence.” This indicates that the final film will be truer to the source material than the 1985 adaptation.

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A release date for the Red Sonja movie reboot has yet to be specifically announced. However, it has been confirmed that it will be released during the later half of 2025. It has also been confirmed that the reboot movie will be based on the more recent comics, based on Red Sonja’s rebooted history in 2013. In her new origin, Sonja lost her family earlier in life and was not blessed by a war goddess in exchange for an oath of chastity.