movies

Kendrick Lamar’s untitled comedy won’t debut on America’s birthday after all. Paramount, the studio behind the closely guarded movie from Lamar and “South Park” creators Matt Stone and Trey Parker, has been delayed from July 4, 2025 to March 20, 2026.

Lamar will be away for much of the spring and summer on his Grand National stadium tour, which kicks off on April 19 in Minnesota and concludes on Aug. 19 in Sweden. On its new date, the yet-to-be-titled film will open on the same day as Liongate’s faith-based “I Can Only Imagine” sequel with Dennis Quaid.

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As for Lamar’s movie, not a single detail — not the cast, logline or title — has been revealed at this point. What is known, however, is the live-action comedy is written by comedian Vernon Chatman and follows a young Black man who interns as a slave re-enactor at a living history museum.

cross-posted from: https://lemmy.dbzer0.com/post/41206778

cross-posted from: https://lemmy.world/post/27623988

Warner Bros. has agreed to a deal with Ketchup Entertainment to give its embattled Looney Tunes movie a theatrical run.

There's the old claim that test screenings don't make a movie. Still, It’s interesting how James Gunn and Warner Bros have allowed “Superman” to test so openly given the inevitable leaks that could occur, not to mention the risk of having negative reactions pummeling advanced hype.

Yes, a few days ago, “Superman” had its first non-internal test screening — I only spoke to a few attendees. Suffice it to say, they both felt underwhelmed by Gunn’s film, and I'm being kind here. No need to taint the film further.

Now, reporting on two people who didn’t like “Superman” doesn't mean much in terms of quality. I've heard of people being turned off by the inherent humor, and silliness, that comes with a James Gunn movie — which Superman seems to have in spades.

So far, based on what’s leaked, we've had the usual “scoopers” weighing on the reactions. MyTimeToShineHello says the reactions were “decidedly mixed.” According to “insider” Daniel Richtman, people he spoke to “loved it.”

Yesterday, scooper ViewerAnon shared, "The response I heard directly from Warner Bros was decidedly less glowing than Daniel [Richtman]'s post. Not to say it went terribly, but it’s a divisive film with a particularly silly tone. Some people click with it, some seem to bounce right off."

In a nut shell, people are creating film trailers with AI and sharing on YouTube. Film studios are now asking Google for a slice of the profits as it's their intellectual property.

In an unexpected upset, the Jason Statham thriller “A Working Man” has taken the No_ 1 spot at the box office, besting the rapidly declining performance of “Snow White.”

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In an interview with Vanity Fair, the actress admitted: “I don’t have many friends, because of who I am. I didn’t go to school, so I don’t have the best social skills.”

She’ll be able to retire there when the algorithm is no longer counting on her. For now, after Stranger Things and the third Enola Holmes movie, she’s signed another film with Netflix. According to Bloomberg, in the third season of Stranger Things, she earned $250,000 per episode. Millie Bobby Brown is the closest thing to those classic movie stars who had exclusive contracts with a studio. It was their home — like Marilyn Monroe with Fox or James Stewart with MGM. The difference today is that she’s a movie star without stepping foot in a movie theater.

Really a very sweet movie.

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The filmmaker behind classics like ‘Predator’ and ‘The Hunt for Red October’ is working on his first film in more than 20 years, as well as a book about his experience in prison

In conversations about the golden age of Hollywood action films, references to one or more of the films of John McTiernan (Albany, New York, 74 years old) are inevitable. In the late glow of the 1980s alone, the director shot three back-to-back classics: Predator (1987), Die Hard(1988) and The Hunt for Red October(1990). After receiving a tribute in Paris from the French Cinemathèque, McTiernan visited Spain to collect the honorary award he received this year from the Sombra fantasy film festival. The veteran filmmaker is grateful for the successive career recognitions, but as he tells EL PAÍS, he’s far from calling it a day. As he revealed in talks organized by Sombra, more than 20 years after his last film, he is planning his return to the big screen, though he’s still reluctant to share many details. “I’m a little superstitious about talking about movies until we’re shooting them. I’ve had a couple of independently financed films that I was certain were going to happen and then didn’t. I’m just going to wait and see.”