StillPaisleyCat

joined 2 years ago
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That makes sense!

Definitely there was local control over availability. I recall shopping for gifts and seeing walls of SW toys but no Trek in Ottawa.

[–] StillPaisleyCat@startrek.website 2 points 1 day ago (2 children)

Even in Canada, I don’t recall that they had wide distribution. They were also marked up quite a bit from the US price (well beyond the exchange rate). I saw them mainly in specialty stores, not Toys R US and department stores.

[–] StillPaisleyCat@startrek.website 2 points 1 day ago (4 children)

That was a very time limited counter example, and were largely unavailable outside the US.

And it may be a really important factor in explaining the loyalty of millennial guys in the US to the franchise vs other demographics and countries.

[–] StillPaisleyCat@startrek.website 5 points 1 day ago (1 children)

Class sizes are up and supports are down.

Now attendance requirements for grades are being instituted.

It doesn’t occur to the government to enquire about why students are avoiding or refusing school attendance.

[–] StillPaisleyCat@startrek.website 11 points 1 day ago (6 children)

It looks like a 1970s toy. . . Which makes sense given who their target market is.

I would take it as another sign that the franchise has aged out were it not for the fact that it’s always had awful merchandising and licensing.

 

Here’s the Godzilla Minus Zero ‘First Look’ teaser.

It short but there’s a lot to be hyped about. The cinematic feature will reportedly be released in IMAX.

 

cross-posted from: https://startrek.website/post/38193355

The THR article has details but no link to the actual teaser-trailer.

There are unconfirmed reports on YouTube that the official first teaser-trailer should be posted within the next hour ~ 7pm EDT.

 

cross-posted from: https://startrek.website/post/38193355

The THR article has details but no link to the actual teaser-trailer.

There are unconfirmed reports on YouTube that the official first teaser-trailer should be posted within the next hour ~ 7pm EDT.

 

The THR article has details but no link to the actual teaser-trailer.

There are unconfirmed reports on YouTube that the official first teaser-trailer should be posted within the next hour ~ 7pm EDT.

[–] StillPaisleyCat@startrek.website 16 points 4 days ago* (last edited 4 days ago) (1 children)

Let’s be frank that it was a male-gaze titillation to sell the show much like the frequency of ripped tunics and visible muscles were intended for women viewers. Both were introduced after the ‘more cerebral’ pilot of ‘The Cage.’

In any case, mini skirts were a fashion trend that constrained women and girls as much as ‘liberated’ them — Especially, as garters and stockings rather than pantyhose were the norm at the time. Looking at TOS now, I wonder if the show had to order specially made pantyhose or ultra fine tights.

While it was good for women and girls to be out of the 1950s tight-waisted skirts with crinolines so profound that they had to increase the spacing between lab benches and cooking class units (as was explained to me when I hit junior high), mini skirts meant that women and girls were constantly monitoring their exposure.

It’s no surprise that ‘pantsuits’ became an acceptable fashion option by 1970 and pantyhose rapidly replaced stockings.

 

A deeper dive on the vfx as well as location shooting in Thailand and Australia with drones and helicopters.

 

The timeline intersecting payoff of 2 x 07 ‘String Theory’ has the critics reengaging with Monarch: Legacy of Monsters second season.

Sounds like /Film is as here for the timey-wimey stuff as we are.

There are industrial/cargo transporter platforms as well as industrial fabricator/replicators.

Perhaps only the ones in humanoid transport pads are set with the highest level defaults?

[–] StillPaisleyCat@startrek.website 11 points 6 days ago* (last edited 6 days ago) (3 children)

The averaging is the difference between a replicator and the absolute precision of a transporter.

The transporter has the level of precision and memory capacity to perfectly replicate real food.

The replicator is just a close approximation. It’s controlled for food safety and nutrition but the sense of smell and taste may be able to distinguish the food from a precise duplication.

Sadness is definitely why I’m feeling too.

Roddenberry had a vision of an international show in TOS, and his creation of an ethnically French captain for TNG.

Unfortunately, the franchise owners have never appreciated that and their focus on marketing first to the US market has kept the show and the movies from the global success they should have had.

With the Ellisons in charge, the franchise is likely to be all the more focused on the US without even the double-edged (often alienating) transparent American exceptionalism that has dogged the franchise.

Nice to see representation, if belatedly, of the newer shows.

That reworking of the 1968 model has a definite TAS vibe even if it was intended to be for the original series. I might be persuaded…

 

Shaw receives an impossible radio transmission. Cate and Keiko uncover an ancient link to Titan X. Isabel has a proposition for Kentaro.

Written by: Gandja Monteiro

Directed by: Joe Pokaski

Welcome to the episode discussion! There is no spoiler protection in episode discussion threads, and spoiler tags are not necessary!

Appreciate having the review.

There are a lot of games out there. We used to buy games after trying them out at gaming conventions but we only get to the local ones now.

Paramount and Warner Brothers both have large studio backlots in the LA area. One wonders whether there’ll be consolidation there.

The Mississauga CBS Stages is a relatively modest venue. The biggest SFA sets were at Pinewood Toronto and the AR wall shared with Pixemondo — which is itself being organizationally deconstructed.

Also, there are incentives being offered by other US states such as Georgia, where Disney does much of its production. Moving back to the US may not necessarily mean California.

Anyway, it’s not particularly hopeful news for the industry overall especially in Toronto and Vancouver.

 

Shaw receives an impossible radio transmission. Cate and Keiko uncover an ancient link to Titan X. Isabel has a proposition for Kentaro.

Once again, an official teaser clip has been shared with media — available in this article.

 

Likely a good signal towards an announcement of a third season of Monarch: Legacy of Monsters in addition to the new Lee Shaw focused 1980s Cold War spinoff going into production this June.

Interestingly, the show does well in Apple’s own rankings everywhere globally other than English speaking Commonwealth countries and Ireland.

 

The Artemis NASA

mission has a mascot named Rise — a stuffy that acts as a zero-G indicator.

At a certain angle, it’s face looks a lot like a favourite bone-drinking horror called Moopsy.

 

cross-posted from: https://startrek.website/post/37765690

This Salon feature from two weeks back provides a good overview of the 70+ year Godzilla franchise and its relevance to current audiences. There’s an analysis of where Monarch: Legacy of Monsters fits in the franchise’s themes.

Our relationship with Godzilla changes from movie to movie and age to age. Some films cast the King of the Monsters as a protector unconsciously joining humanity – and occasionally, King Kong – to fend off some mammoth existential evil. More often, he is a reckoning, reminding us of how puny we are in nature’s schemes...

…each springs from the same mutated DNA, mapping the source of Earth’s monster problems to mindless warfare, along with the intellectual vanity compelling man to seek an upper hand over nature instead of figuring out how to coexist.

Godzilla and the other Titans stampeding in his wake are post-World War II creations; Ishirō Honda, who directed the OG “Godzilla,” was a veteran of that war marked by his travel through the ruins of Hiroshima after the United States bombed its civilians and Nagasaki to force Japan’s surrender. The Geneva Conventions’ protocols made such acts illegal, but as we’re discovering with alarming frequency and force these days, laws are only as effective as our willingness to abide by them…

 

cross-posted from: https://startrek.website/post/37765690

This Salon feature from two weeks back provides a good overview of the 70+ year Godzilla franchise and its relevance to current audiences. There’s an analysis of where Monarch: Legacy of Monsters fits in the franchise’s themes.

Our relationship with Godzilla changes from movie to movie and age to age. Some films cast the King of the Monsters as a protector unconsciously joining humanity – and occasionally, King Kong – to fend off some mammoth existential evil. More often, he is a reckoning, reminding us of how puny we are in nature’s schemes...

…each springs from the same mutated DNA, mapping the source of Earth’s monster problems to mindless warfare, along with the intellectual vanity compelling man to seek an upper hand over nature instead of figuring out how to coexist.

Godzilla and the other Titans stampeding in his wake are post-World War II creations; Ishirō Honda, who directed the OG “Godzilla,” was a veteran of that war marked by his travel through the ruins of Hiroshima after the United States bombed its civilians and Nagasaki to force Japan’s surrender. The Geneva Conventions’ protocols made such acts illegal, but as we’re discovering with alarming frequency and force these days, laws are only as effective as our willingness to abide by them…

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