The Academy of Motion Picture Arts and Sciences (AMPAS) in Hollywood has steadfastly refused to release a statement in defense of Hamdan Ballal, co-director of No Other Land, who was brutally assaulted by Israeli settlers and soldiers in the occupied West Bank Monday night.
Precisely three weeks earlier, Ballal had stood on the platform at the Academy Awards ceremony in Los Angeles and received, along with Basel Adra, Yuval Abraham and Rachel Szor, the prize for Best Documentary Feature Film.
The pretentiously named Academy of Motion Picture Arts and Sciences, as we have previously noted, has a thoroughly unprincipled history. It was set up in the 1920s by studio boss Louis B. Mayer to subvert the unionization of film workers. The establishment of a corporatist entity, with different branches, would—Mayer and the others hoped—induce writers and others to feel they were part of the industry and not make any unreasonable demands.
In the late 1940s and early 1950s, during the Red Scare and the purges of Communist Party and other left-wing actors, writers and directors, the Academy played a rotten role.
As late as 1957, on the eve of the collapse of the blacklist, the AMPAS passed a by-law decreeing that no one who had invoked his or her Fifth Amendment rights (against self-incrimination) in front of the witch-hunting House Un-American Activities Committee (HUAC) could receive an Academy Award. It had also stripped award eligibility from anyone who had been a member of the Communist Party. In 1999, the Academy despicably went out of its way to bestow an honorary award on arch-informer, director Elia Kazan.