technocrit

US experts who work in artificial intelligence fields seem to have a much rosier outlook on AI than the rest of us.

In a survey comparing views of a nationally representative sample (5,410) of the general public to a sample of 1,013 AI experts, the Pew Research Center found that "experts are far more positive and enthusiastic about AI than the public" and "far more likely than Americans overall to believe AI will have a very or somewhat positive impact on the United States over the next 20 years" (56 percent vs. 17 percent). And perhaps most glaringly, 76 percent of experts believe these technologies will benefit them personally rather than harm them (15 percent).

The public does not share this confidence. Only about 11 percent of the public says that "they are more excited than concerned about the increased use of AI in daily life." They're much more likely (51 percent) to say they're more concerned than excited, whereas only 15 percent of experts shared that pessimism. Unlike the majority of experts, just 24 percent of the public thinks AI will be good for them, whereas nearly half the public anticipates they will be personally harmed by AI.

On 23 March contact was lost with a team of Palestinian rescue workers and medics in southern Gaza. A week later their bodies were recovered from a mass grave

... After Trump revealed his plan to ethnically cleanse the Gaza Strip, cartoonists lined up to endorse this proposed violation of international law. Dana Summers (Tribune Content Agency, 2/7/25) had a beaming Trump announcing, “Make Gaza Great Again!” Chip Bok (Creators Syndicate, 2/7/25) showed Trump’s future casino and riviera as an improvement over United Nations administered refugee camps. Cheekily, it was labeled “Two State Solutions.” Payne (GoComics, 2/6/25) advertised a “Mar-a-Gaza” that will be “Hamas-free”—as well as Palestinian-free—once construction is finished.

No mainstream American cartoonist would draw Israeli soldiers as Nazis, as Varvel, Gorrell and Payne did with Palestinians. It would be considered beyond the pale for an anti-war or pro-Palestinian cartoonist to crack a joke about assassinating a leading pro-Israel politician, as Payne did with Tlaib. Cartoon endorsements of ethnic cleansing of virtually any nationality other than Palestinian would be met with quite accurate comparisons to the oeuvre of Philipp Rupprecht (“Fips”), cartoonist for the pro-Nazi Der Stürmer.

The consequences for the two approaches to cartooning could not be more different. When Varvel lost his spot at the Toronto Sun (12/21/23), it was not for his drawings of Palestinians, but rather a take on Ukrainian President Volodymyr Zelenskyy (12/20/23) that Jewish groups found offensive. Payne’s cartoons still run in the National Review, and he kept his post as auto critic for the Detroit News.

One of Ramirez’s cartoons (Las Vegas Review-Journal, 11/6/23), showing a snarling hook-nosed Arab labeled “Hamas,” was removed from the Washington Post after reader backlash. Editorial page editor David Shipley said that reader reactions calling the cartoon “racist” and “dehumanizing” showed that the Post “missed something profound, and divisive” (Washington Post, 11/8/23). Ramirez continues to be published at the Post.

Because of syndication and the absorption of many newspapers into chains like Gannett, some media markets are only exposed to one side, cartoon-wise. In Detroit, for example, the Detroit Free Press and Detroit News publish under a joint operating agreement that ensures that the editorial cartoons in the News run in both newspapers. The most prominent syndicated cartoonist in the News is Ramirez, who declared Palestinians ontologically evil. This means that in the metro area with the largest Arab population in America, the political cartoons in both papers are overwhelmingly dominated by a virulently anti-Palestinian viewpoint. Benson: Yasir Ararat (Arafat depicted as a dead rat)

Tony Doris (New York Times, 3/2/25) expressed concerns that limiting the range of acceptable opinion in editorial pages is bad for democracy. “Democracy needs journalists who care about the mission and not just about page views,” he said.

Not only is it bad for democracy, it trivializes antisemitism and allows promoters of racism and ethnic cleansing off the hook. Indeed, despite acting as defenders of Jewish people, these cartoonists indulge in many of the same tropes that antisemitic caricaturists use. Editorial cartoonists may have progressed past depicting Yasser Arafat as a rodent caught in a Star of David–shaped mousetrap (Arizona Republic, 6/27/82), but there are still images of anti-Arab, anti-Palestinian racism on the editorial pages.

... After Trump revealed his plan to ethnically cleanse the Gaza Strip, cartoonists lined up to endorse this proposed violation of international law. Dana Summers (Tribune Content Agency, 2/7/25) had a beaming Trump announcing, “Make Gaza Great Again!” Chip Bok (Creators Syndicate, 2/7/25) showed Trump’s future casino and riviera as an improvement over United Nations administered refugee camps. Cheekily, it was labeled “Two State Solutions.” Payne (GoComics, 2/6/25) advertised a “Mar-a-Gaza” that will be “Hamas-free”—as well as Palestinian-free—once construction is finished.

No mainstream American cartoonist would draw Israeli soldiers as Nazis, as Varvel, Gorrell and Payne did with Palestinians. It would be considered beyond the pale for an anti-war or pro-Palestinian cartoonist to crack a joke about assassinating a leading pro-Israel politician, as Payne did with Tlaib. Cartoon endorsements of ethnic cleansing of virtually any nationality other than Palestinian would be met with quite accurate comparisons to the oeuvre of Philipp Rupprecht (“Fips”), cartoonist for the pro-Nazi Der Stürmer.

The consequences for the two approaches to cartooning could not be more different. When Varvel lost his spot at the Toronto Sun (12/21/23), it was not for his drawings of Palestinians, but rather a take on Ukrainian President Volodymyr Zelenskyy (12/20/23) that Jewish groups found offensive. Payne’s cartoons still run in the National Review, and he kept his post as auto critic for the Detroit News.

One of Ramirez’s cartoons (Las Vegas Review-Journal, 11/6/23), showing a snarling hook-nosed Arab labeled “Hamas,” was removed from the Washington Post after reader backlash. Editorial page editor David Shipley said that reader reactions calling the cartoon “racist” and “dehumanizing” showed that the Post “missed something profound, and divisive” (Washington Post, 11/8/23). Ramirez continues to be published at the Post.

Because of syndication and the absorption of many newspapers into chains like Gannett, some media markets are only exposed to one side, cartoon-wise. In Detroit, for example, the Detroit Free Press and Detroit News publish under a joint operating agreement that ensures that the editorial cartoons in the News run in both newspapers. The most prominent syndicated cartoonist in the News is Ramirez, who declared Palestinians ontologically evil. This means that in the metro area with the largest Arab population in America, the political cartoons in both papers are overwhelmingly dominated by a virulently anti-Palestinian viewpoint. Benson: Yasir Ararat (Arafat depicted as a dead rat)

Tony Doris (New York Times, 3/2/25) expressed concerns that limiting the range of acceptable opinion in editorial pages is bad for democracy. “Democracy needs journalists who care about the mission and not just about page views,” he said.

Not only is it bad for democracy, it trivializes antisemitism and allows promoters of racism and ethnic cleansing off the hook. Indeed, despite acting as defenders of Jewish people, these cartoonists indulge in many of the same tropes that antisemitic caricaturists use. Editorial cartoonists may have progressed past depicting Yasser Arafat as a rodent caught in a Star of David–shaped mousetrap (Arizona Republic, 6/27/82), but there are still images of anti-Arab, anti-Palestinian racism on the editorial pages.

Considering all the lethal obstacles Palestinian journalists must contend with to do their jobs—not to mention the psychological toll of having to report genocide day in and day out while essentially serving as moving targets for the Israelis—it seems the least their international media colleagues might do is acknowledge them in death. Alas, mum’s the word.

And on that note, it’s worth recalling some of Shabat’s own words: “All we need is for you not to leave us alone, screaming until our voices go hoarse, with no one to hear us.”

Considering all the lethal obstacles Palestinian journalists must contend with to do their jobs—not to mention the psychological toll of having to report genocide day in and day out while essentially serving as moving targets for the Israelis—it seems the least their international media colleagues might do is acknowledge them in death. Alas, mum’s the word.

And on that note, it’s worth recalling some of Shabat’s own words: “All we need is for you not to leave us alone, screaming until our voices go hoarse, with no one to hear us.”

Recent coverage of Gaza and the West Bank illustrates that, while corporate media occasionally outright call for expelling Palestinians from their land, more often the way these outlets support ethnic cleansing is by declining to call it ethnic cleansing.

Recent coverage of Gaza and the West Bank illustrates that, while corporate media occasionally outright call for expelling Palestinians from their land, more often the way these outlets support ethnic cleansing is by declining to call it ethnic cleansing.

FAIR has been among the many groups who have warned that a second Trump administration could see a severe attack against the free press and free speech generally. Ozturk’s arrest is a warning that the Trump administration takes all levels of speech and journalism seriously, and will do whatever they can to terrorize the public into keeping quiet.

FAIR has been among the many groups who have warned that a second Trump administration could see a severe attack against the free press and free speech generally. Ozturk’s arrest is a warning that the Trump administration takes all levels of speech and journalism seriously, and will do whatever they can to terrorize the public into keeping quiet.

“Israel built an ‘AI factory’ for war. It unleashed it in Gaza,” laments the Washington Post. “Hospitals Are Reporting More Insurance Denials. Is AI Driving Them?,” reports Newsweek. “AI Raising the Rent? San Francisco Could Be the First City to Ban the Practice,” announces San Francisco’s KQED.

Within the last few years, and particularly the last few months, we’ve heard this refrain: AI is the reason for an abuse committed by a corporation, military, or other powerful entity. All of a sudden, the argument goes, the adoption of “faulty” or “overly simplified” AI caused a breakdown of normal operations: spikes in health insurance claims denials, the skyrocketing of consumer prices, the deaths of tens of thousands of civilians. If not for AI, it follows, these industries and militaries, in all likelihood, would implement fairer policies and better killing protocols.

We’ll admit: the narrative seems compelling at first glance. There are major dangers in incorporating AI into corporate and military procedures. But in these cases, the AI isn’t the culprit; the people making the decisions are. UnitedHealthcare would deny claims regardless of the tools at its disposal. Landlords would raise rents with or without automated software. The IDF would kill civilians no matter what technology was, or wasn’t, available to do so. So why do we keep hearing that AI is the problem? What’s the point of this frame and why is it becoming so common as a responsibility-avoidance framing?

On today’s episode, we’ll dissect the genre of “investigative” reporting on the dangers of AI, examining how it serves as a limited hangout, offering controlled criticism while ultimately shifting responsibility toward faceless technologies and away from powerful people.

Later on the show, we’ll be speaking with Steven Renderos, Executive Director of MediaJustice, a national racial justice organization that advances the media and technology rights of people of color. He is the creator and co-host, with the great Brandi Collins-Dexter, Bring Receipts, a politics and pop culture podcast and is executive producer of Revolutionary Spirits, a 4-part audio series on the life and martyrdom of Mexican revolutionary leader Francisco Madero.

Let’s talk about the Beit Lahia protests. Western media’s attempt to label them “anti-Hamas” is deeply misleading - and here’s why:

The majority of placards and chants are demanding an end to the genocide. Palestinians are pleading for basic rights, food, water, and the right to live.

Yes, some anti-Hamas chants are heard, but there’s no evidence to suggest these protests are solely “anti-Hamas.” By generalizing them, Western media shifts blame from Israel’s destruction of Gaza, its massacres, and its blockade that’s starving and suffocating the population.

This narrative also fuels Netanyahu’s claim that “the plan is working,” emboldening Israel to justify the illegal occupation and ethnic cleansing of Gaza they openly advocate.