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Upcoming Episodes

Date Episode Title
08-20 SNW 4x05 "Level-Five Transporter Accident"
08-27 SNW 4x06 “Off-Hour”
09-03 SNW 4x07 “Like Chronitons Through the Hourglass”
09-10 SNW 4x08 “Orders of Magnitude”
09-17 SNW 4x09 "Once La’An a Time"

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LoglineAn off-duty window becomes a warp emergency when the Enterprise is pushed beyond its safe limits.

Written by: Bill Wolkoff

Directed by: Dan Liu

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This is basically SNW's take on disaster movies, like The Poseidon Adventure and TNG: "Disaster”, in the same way so far this season they’ve homaged Doctor Who, Event Horizon, The Hangover Casablanca and The Muppet Show.

The stardate is 1213.72, and the “weekend” is about to begin. The jaunty notes of the soundtrack at the beginning remind me of a motif from TOS: “Shore Leave” when his old nemesis Finnegan appears to taunt Kirk.

As established in TNG: “Chain of Command”, starships work on a three-shift rotation, although some captains prefer four. Alpha shift is also usually the one where the captain is on duty.

The Bussard collectors that Ortegas mentions are the glowing caps at the front of the nacelles. They generate a magnetic funnel that sweeps in front of the ship gathering stray hydrogen from space which are then used to top up the ship's fuel.

Dr Boyce would be Phillip Boyce, the former chief medical officer of Enterprise in 2254, who was played by John Hoyt in TOS: “The Cage”. This is the first time we are told he was actually interim CMO until M’Benga came along.

In TOS: “What Are Little Girls Made Of?”, Kirk mentions that Chapel gave up a career in “bio-research” to sign aboard a starship. When first introduced in SNW: “Strange New Worlds”, Chapel was on a civilian exchange from the Stanford Morehouse Epigenetic Project (mentioned again later in this episode), although it was revealed later she did serve with M’Benga during the Klingon War a few years prior. 
 Scotty is right that there doesn’t really seem to be much of a difference between the terms “Bussard collectors” and “Bussard ramscoops”, the latter of which is just another name for the same technology. 

LT Radha (assuming it’s the same character) first appeared as a helm officer in TOS: “That Which Survives”, played by Naomi Pollack. On the wall in the briefing room we see a picture of Phoenix, the first Earth vessel to break the warp barrier (First Contact).

The person playing the piano is a Bolian - although I’m not sure if this is the ENS Rankin that Uhura mentioned earlier, which sounds like a human name.

Getting caught in a wormhole slipstream seems similar to what happened to Enterprise when initiating its upgraded warp engines in TMP. An antimatter imbalance created a wormhole and sent them speeding out of control.

M’Benga isn’t being wholly unfair when he says Chapel runs when things get real. In SNW: “Spock Amok” she confesses that she avoids relationships because they require sacrifice. When Spock became more serious about her, she applies for the archeological fellowship and broke up with him (SNW: “Subspace Rhapsody”). We’ve not been updated on the state of her current relationship with Roger Korby, although we do know they get engaged before he vanishes on Exo III (“What Are Little Girls Made Of?”). Chapel’s retort hints at what she knows about M’Benga’s past in the Klingon War and the trauma he carries from it.

Pike’s recklessness in reaching for an electrified control may be due to his knowledge that he has yet to meet his destined accident in a few years (DIS: “Through the Valley of Shadows”).

Scotty’s thought that the ship’s computer doesn’t recognise his accent (which is fairly mild by Scottish standards) reminds me of a sketch from the Scottish comedy show Bornistoun, where an elevator equipped with voice recognition technology hilariously fails to understand Scottish accents. 

“Neutrino radiation at lethal levels” strikes me as a bit odd, because neutrinos have no charge, have almost zero mass, and trillions of them coming from the Sun pass through our bodies all the time with no issues since they rarely hit other atoms (and even if they do the radiation is negligible). That being said, the number of neutrinos emitted during a supernova could be lethal, and if they were focused enough, but the levels would really have to be ludicrous.

Inertial dampeners are what protects the crew from being smeared against the walls at high impulse or warp velocities. Ortegas is referring to the high G-forces produced at such velocities when she talks about “nosebleed city”.

The Vulcan cadet is A’Sha, who first appeared in SNW: “Valles Marineris”and has only ever been named in the closing credits. Black pudding is not a desert, but a sausage made from flour, onions, grains, pork/beef fat and pork blood. It’s a vital part of a Full English Breakfast and really yummy.

Scotty calling Enterprise a “damn useless bucket of bolts” is a far cry from the affection he will feel for the ship in time to come, even willing to come to blows with people who insult her (TOS: “The Trouble with Tribbles”). This episode shows that transition. Princess Leia calls the Millennium Falcon a “bucket of bolts” in The Empire Strikes Back.

The lab table holding M’Benga’s vital organs in place and keeping him alive despite a fatal injury is similar to what happens in the Homicide: Life on the Street episode “The Subway”, where a man is only kept alive because a subway car is pinning him between it and the station platform. This was based on an apparently real incident related in the HBO show Taxicab Confessions by a New York City detective.

Boyce makes his first SNW appearance, played by Brian Markinson, who previously appeared in various other roles in Star Trek, notably as Dr Elias Giger in DS9: “In the Cards”. He also appears in TNG: “Homeword” as Vorin and VOY: “Cathexis” and “Faces” as LT Pete Durst/Sulan. He is wearing a pin above his delta which I can’t quite make out but it looks like the one on the tunic he wears in TOS: “The Cage”, which is an Earth map encircled by laurel leaves.

I know Una’s an Illyrian, but why isn’t Spock going? Vulcan is normally portrayed as a high-gravity planet in various RPG source books, and Vulcan’s are physiologically hardier.

Scotty invokes Starfleet Safety Protocol 429 to shut off life-support in the corridors (first mention).

Chapel uses the medical transporter to put M’Benga in suspension, a trick that she and M’Benga used during the Klingon War (SNW: “Under the Cloak of War”) and which he used on his terminally ill daughter Rukiya (SNW: “Ghosts of Illyria”).

The warp threshold Scotty refers to sounds similar to the concept established in TNG that nothing can exceed Warp 10 (on the TNG scale Warp 10 is infinite speed, where the ship is simultaneously at all points of the universe at once). VOY: “Threshold” refers to the “transwarp threshold” that divides warp and transwarp speeds. The maximum speed the TOS Enterprise achieved was Warp 14.1 (TOS: “That Which Survives), which by the TOS warp scales was about 2,803c.

M’Benga says the temperature will reach “negative 400 degrees”. He must be referring to the Fahrenheit scale, because temperatures can’t go below -273°C (0 Kelvin, or absolute zero), which is -459.67°F. The vacuum of space is approximately 2.7 K, or -270.45°C or -454.81°F.

The ion pod is a manned pod that is usually used to take readings during ion storms. It can be jettisoned if it picks up a dangerous charge from the storm (TOS: “Court Martial”). We’ve seen spacewalks while the ship is at warp before (Trip Tucker in ENT: “Divergence, Dal R’El in PRO: “Mindwalk” and Michael Burnham in DIS: “Red Directive”) - it’s usually okay as long as you remain within the warp bubble. 

Scotty materialises in a Jeffries tube, a maintenance tube named after real-life Enterprise designer Matt Jeffries, in a shot instantly familiar to those who have seen James Doohan in that exact position.
 Rukiya was M’Benga’s terminally ill daughter which he placed in the care of a non-corporeal life form (SNW: “The Elysian Kingdom”).

“Strong force neutrinos” are made up because neutrinos and other leptons don’t possess any color or electromagnetic charge, and are therefore non-interactive with strong and electromagnetic forces. It’s not a question of a big enough lab. And since we’re making stuff up, sure, these “strong force neutrinos” could very well heal tissue. And be a desert and a floor wax. Pike points out that neutrinos are “ghost particles” (thank you!) and Chapel retorts that these are “new ones” that act differently. Ooohkay. And now they can make more deuterium? Can I call them deus ex neutrinos?

Pike does the same as Kirk did in “Court Martial”, jettisoning the pod with a man inside (in the latter’s case LT-CMDR Ben Finney) before it endangers the ship.

Pelia tells Scotty he has to be a “miracle worker”. This is something he will try to continue to keep up a reputation for being (ST III, TNG: “Relics”).

Spock’s bruises look like they’re red with green scabs. Vulcan blood is supposed to be green, i.e. copper-based as opposed to human iron-based blood (although hemocyanin should be blue), and Spock does bleed green in TOS: “Patterns of Force”. The colour of his bruises here could be a function of his half-human heritage. That being said, in Star Trek (2009) young Spock had apparently red blood, and in SNW: “Ad Astra Per Aspera” Spock’s knuckles are red after he punches a wall.

Aquans first appeared in TAS: “The Ambergris Element”, and we recently saw one in the Cesnar Grand promotional video in SNW: “Human Best Friend”. Lanthanites are Pelia’s very long-lived race. Benzar is the homeworld of the Benzites (TNG: “A Matter of Honor”).

If Chapel’s fingers can get frozen to the table, why doesn’t vital tissue from M’Benga also break off when she pushes the table away? Oh fine, I give up.

Scotty says to tell Chapel she “rewrote the laws of physics”. In TOS: “The Naked Time”, Scotty says, “I can’t rewrite the laws of physics,” and in TNG: “Relics”, he says “You canna change the laws of physics,” when he relates the story of “The Naked Time” Geordie.

Chapel finally signs on permanently to Starfleet, fulfilling Kirk’s remark in “What Are Little Girls Made Of?”

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For me at least, the only interesting thing in here is that contrary to prior reports, the SNW sets have not been destroyed (but are disassembled and in storage somewhere).

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While IMDB users are not representative of the wider population, I find it interesting to see that they've soured on Season 4 episodes so far.

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Kate Mulgrew acts her best Janeway with the cast from Frasier.

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No indication a recording will be made available, just the livestream for anyone who can’t attend in person.

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In TNG, the lower the level of something the higher in intensity it was (a Level One Diagnostic was more intensive than a Level Four). In the 32nd century, the opposite seemed to be the case, as Reno talks about a Level-10 diagnostic in SFA: “Rubincon”. SNW seems to be taking the latter approach as well. This episode is not the first time we’ve seen people turned into puppets - in LD: “Kayshon, His Eyes Open”, Cerritos security chief Kayshon was turned into an (albeit inanimate) puppet by an energy beam. Fans might also remember the Angel episode “Smile Time”, a parody sequence in Stargate SG-1’s “200” and an imaginary sequence in Community’s “Advanced Documentary Filmmaking”.

The stardate is 3019.4. Enterprise is patrolling Rizonian space (first mention) on her way to Vulcan. Space piracy is indeed extant in Star Trek, with various species and factions engaging in piratical or privateering activities, notably the Orions (TAS: “The Pirates of Orion”), the Ferengi (TNG: “Rascals”) and the Breen (DS9: “To the Death”).

Spock and Scotty discuss longer-range transportation. Spock says 27,000 km is 2,000 km further than any transport achieved. By the 24th century, transporter ranges on the Galaxy-class could reach up to 40,000 km (TNG Tech Manual). To be honest, 27,000 km seems a bit short, since Earth geosynchronous orbit is 35,786 km. This might be a “Sci-Fi Writers Have No Sense of Scale” trope issue.

That Scotty is working on increasing transport ranges references Star Trek (2009), where the Kelvin timeline Scotty is working on transwarp transportation to allow transmission across interstellar distances. Prime Spock helped him with this, giving him the necessary equations his Prime counterpart had already solved.

While chanting the mantra, “Logic is the rhythm of your katra,” (katra being roughly the Vulcan equivalent of the soul, ST III), Spock hears echoes from SNW: “The Griffin Incident”.

Kal Rekk, a day of “atonement, solitude and silence” was first mentioned in VOY: “Meld”.

T’Pring’s suspicion of “hijinks” refers to her two previous trips to Enterprise, one which resulted in a body swap (SNW: “Spock Amok”) and another which had Spock turned physically human (SNW: “Charades”). Specifically, in “Spock Amok” while in Spock’s body she says she does not like hijinks.

When Spock turns to see the puppet T’Pring, the music echoes bits of the soundtrack to TOS: “Amok Time”, the episode that introduced her and Vulcan.

April is actually less nonplussed about the situation than would be expected. But then again, as Janeway said in VOY: “Deadlock”, “We’re Starfleet officers. Weird is part of the job.” He says the nearest ship is two days away, but didn't Spock say the USS Witmere was 29,647 km away? This is answered at the end of the episode.

La’An has been concerned since SNW: “Four and a Half Vulcans” that her Augment heritage is asserting itself.

Orion interceptors first appeared in ENT: “Borderland” and are playable Tier 6 ships in Star Trek Online. Ch'Rol is played by Rachael Harris, who played Kes' mother Martis in VOY: "Before and After" and is better known for playing Dr Linda Martin in Lucifer. Her lieutenant Ejachi is played by Joe Lo Truglio, best known for playing Charles Boyle on Brooklyn Nine-Nine.

This is the second time in the series that someone has captured Enterprise, the previous time being Captain Angel in SNW: “The Serene Squall”. To paraphrase Oscar Wilde: to lose a ship once may be regarded as a misfortune; to lose it twice looks like carelessness.

While the stereotype of the submissive Orion slave girl is prevalent in popular culture, it is true that Orion women control the males via the use of pheromones (ENT: “Bound”). Another matriarchal society was seen in TNG: “Angel One”.

Spock “touching hands” with Pike while separated through glass and Pike saying, “The needs of the many…” echoes Spock and Kirk’s scene at the end of ST II when Spock dies. The full phrase - a Vulcan aphorism - is, “The needs of the many outweigh the needs of the few, or the one.” Kirk, naturally, disagrees, sacrificing his ship and career to save Spock in ST III because “The needs of the one outweighed the needs of the many.”

Wait, how did Pike get back into the ship (and that room) if none of them can operate doors and they couldn’t even get out of the room? This is answered at the end of the episode.

Pike, La’An and Una in Vulcan robes is the first time the classic totem pole trench trope has been used in Star Trek.

When T’Pring rescues Spock, we can see a Romulan ale bottle behind the counter, although the liquid inside does not appear to be Romulan ale blue.

While the phrase “my mind to your mind, my thoughts to your thoughts,” is forever associated with mind melds, it was not actually used in TOS. The phrase debuted in TAS: “The Infinite Vulcan”, said by Spock’s giant clone.

And to round off a trilogy of tropes, we have the “All Just a Dream” trope, which was used to probably better effect in DS9: “Far Beyond the Stars”, although the dream appears to have had some therapeutic effect for Spock. Hoshi also experienced an entire episode’s hallucination during 8 seconds in the transporter buffer in ENT: “Vanishing Point”.

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LoglineA transporter malfunction turns most of the crew into puppets while Spock fights to reclaim the ship.

Written by: Henry Alonso Myers & Dana Horgan

Directed by: Jordan Canning

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Article is in Portuguese. This was literally the most popular person at STLV this year.

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Brief Star Trek mention if you don't want to read the whole (lengthy) thing.

DEADLINE: What is your plan for the Star Trek franchise? It is at crossroads with Strange New Worlds and Starfleet Academy ending and no new series greenlit. If I heard you correctly, you said that something is coming. Yes?

WISEMAN: Well, it’s one of the reasons why Chris is here as the resident number one fan of the Star Trek franchise. And there’s so many people in this building, by the way, that are. It is our goal and it is our job to figure out what the next bounce of Star Trek is. We’re talking to a lot of writers, we are leaning on CBS Studios, and it is imperative that we figure out what the next iteration is in this franchise because it’s just too important. We also are in touch with Paramount Pictures, they have a Star Trek movie that’s in development.

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The title refers to the black-and-white aesthetic of the episode. Chiaroscuro is an artistic technique that uses strong lights and darks (chiaro, bright and oscuro, dark) to create contrasts, so as to give a starker, more dramatic and sometimes three-dimensional feel to the two-dimensional image. A notable user was Leonardo Da Vinci, whose hologram has made a number of appearances in Star Trek (VOY: “Scorpion, Part 1”).

The stardate is 2122.4. The system shown on screen is Mat’Aar, its first appearance in lore. The technobabble explanation for the black-and-white look is the “infrared blackbody spectra” from the Mat’Aaran star whose radiation affects how people see colour. This is the same explanation as to why the outdoor scenes on the Harkonnen homeworld of Gledi Prime were black-and-white in the movie Dune: Part Two. The 9th episode of the fan film series Star Trek Continues, “What Ships Are For”, featured Hyalinus, an asteroid whose sun produces radiation that stops the eyes’ cones from working, making everything appear monochrome.

The last time the Klingons and the Federation were in open conflict was during the Klingon War of 2257-2258, some 5-6 years ago from SNW’s present day. Since then, the two powers have enjoyed an uneasy peace, which will once again erupt into open conflict a few years from now in 2266-67 (TOS: “Errand of Mercy”).

With Una on the mission is Uhura and M’Benga. The latter served in the Klingon War as a special forces operative code-named “The Ghost” (SNW: “Under the Cloak of War”).

Una’s fondness for rules is why the crew nicknamed her “Where Fun Goes to Die” (SNW: “Spock Amok”).

The art deco architecture and fashion of Mat’Aar XII, coupled with the black-and-white motif and plot are designed to evoke a 1940s film noir atmosphere, with the Klingon occupation, resistance and collaborators reminiscent of other films of the era like 1942’s Casablanca.

M’Benga’s reference to Una pretending to be someone she’s not refers to her years hiding her Illyrian heritage (SNW: “Ad Astra Per Aspera”).

Uhura quotes partially from Casablanca, “Of all the gin-joints in all the towns in all the world… she walks into mine.”

La’An’s transformation into a Vulcan took place in SNW: “Four and a Half Vulcans”, where she began to exhibit aggressive and paranoid traits more commonly associated with Romulan culture. Some of it was chalked up to her Augment heritage.

The legendary Commander Kor was first played by the inimitable John Colicos in “Errand of Mercy”, who subsequently reprised the role in DS9: “Blood Oath”, “The Sword of Kahless” and “Once More Unto the Breach”. As M’Benga notes, Kor is a member of the House of Kor, part of the Klingon Imperial Family (“Once More Unto the Breach”), which traces its descent from Kahless the Unforgettable, founder of Klingon civilization (TOS: “The Savage Curtain”). He is played here by actor Demore Barnes who, like Colicos, is Canadian.

The machine the resistance woman refers to is the Klingon mind scanner (“Errand of Mercy”), also known as a mind sifter or mind ripper, which scans a subject’s thoughts but sometimes destructively. M’Benga alludes to the idea that in a vast universe, we will eventually run into our own doppelgängers. This is the kind of excuse that TOS came up with to explain the number of Earth-like civilizations Enteprise ran into by citing “Hodgkin’s Law of Parallel Planetary Development” (TOS: “Bread and Circuses”).

M’Benga refers to the Borgia plant, which is similar to the nightshade plant and common to Class M plants (TOS: “The Man Trap”). The Borgias were a powerful Renaissance family that were reputed to use poison to eliminate their rivals.

Kor is shown as a ridge-headed Klingon, unlike his depiction in TOS but in line with how he is portrayed in DS9. The whole Klingon ridges thing is a rabbit hole I really don’t have space to get into right now, but I’m sure someone will bring it up elsewhere in a thread.

Kor’s claim that serving the Empire is the noblest honour reminds me of the concept of kuve, or “servitor” species in the seminal TOS novel The Final Reflection which, although rendered non-canon by events, heavily influenced the depiction of Klingons as a sophisticated warrior culture. In the novel, the Klingons’ position is also that there is no shame in being conquered and rendered kuve because they are serving a superior species.

Uhura uses the alias Nyota Nakuru. M’Benga was born in Nakuru, Kenya on 29 December 2223 (“Under the Cloak of War”). Neodymium is a real-world rare earth element, commonly used in magnets, but it is mentioned in DS9: “In the Cards” as being part of a neodymium power cell. Here Kor mentions it in conjunction with munitions.

Allakas malt was an alcoholic beverage first mentioned in ENT: “The Communicator”.

A targ is a Klingon animal, like a cross between a pig and a dog, and often domesticated.

Scotty says, “Cross my heart, hope to get stuck in a pattern buffer.” He will, in fact, be stuck in a transporter pattern buffer for 75 years (TNG: “Relics”), but on purpose.

M’Benga says that a parent would do anything to protect their child. He might be thinking about his own daughter, Rukiya, for whom he took extraordinary measures to preserve her life when she was dying from chinokemia (SNW: “The Elysian Kingdom”).

This is the first time the T’Gal regional dialect of Klingon has been mentioned.

The Klingons entering the club are singing the same drinking song Worf and Huraga sang in DS9: “The Way of the Warrior”. The Doctor and Seven also sing it in VOY: “Barge of the Dead”. The Mat’Aarians singing back in defiance copies an identical scene from Casablanca where German soldiers singing the patriotic “Die Wacht am Rhein” are drowned out by other patrons singing the French national anthem “La Marseillaise”.

Bloodwine is a Klingon alcoholic beverage which is made from stomping on serpent worms in the same way wine is made from grapes on Earth (LD: “A Farewell to Farms”).

The USS Yang (NCC-321616) was a 32nd century Friendship-class starship (DIS: “That Hope is You, Part 2”, SFA: “Rubincon”). Chapel’s Yang would be, of course, the 23rd century namesake.

This is the first mention of Ülget in lore.

As the shuttle leaves the system, colour fades back into the closing scene.

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LoglineUna is mistaken for a resistance leader and drawn into a struggle against Klingon occupation.

Written by: Skylar Ojeda & Dana Horgan

Directed by: Meera Menon

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Sharing some photos from the convention.

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FWIW, what might have been but probably never really, etc.

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submitted 2 weeks ago* (last edited 2 weeks ago) by hopesdead@startrek.website to c/startrek@startrek.website
 
 

One of the highlights of STLV for me this year. Got a NX-01 assignment patch tattoo at Count’s Tattoo (at the Rio) in honor of my late grandfather who passed in 2025.

EDIT: Included the year.

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