Discworld

cross-posted from: https://mstdn.social/users/grickle/statuses/114348487734807305

Love thyself. #grickledoodle #death #horror #pretty #love #cartoon #art #drawing #funny #fashion

Love thyself. #grickledoodle #death #horror #pretty #love #cartoon #art #drawing #funny #fashion

I just think Vimes and Columbo would Vibe. Especially the Vimes we se in Jingo.

"No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone’s life is only the core of their actual existence."

This image was originally posted to Flickr by Myrmi at https://www.flickr.com/photos/68905839@N00/15294909. It was reviewed on 14 March 2008 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-sa-2.0.

Hey folks, I am curious how the community feels about the Penguin re-production of the Discworld audio books. I’d imagine people become attached to whatever they listen to first. I read Guards, Guards on my own, Men At Arms with Nigel Planer, and now am trying the new release of Feet of Clay.

cross-posted from: https://lemmy.ca/post/39505305

cross-posted from: https://lemmy.ca/post/39505302

The final 6 books have been numbered out of main continuity, because the labelled 40th is the first children's novel in the series, and 41-45 are a miniseries, also for children. However, the file metadata is all in release order, so if viewed in Explorer they will order themselves by release.

"Discworld is a comic fantasy book series written by the English author Terry Pratchett, set on the Discworld, a flat planet balanced on the backs of four elephants which in turn stand on the back of a giant turtle. The series began in 1983 with The Colour of Magic and continued until the final novel The Shepherd's Crown was published in 2015, following Pratchett's death. The books frequently parody or take inspiration from J. R. R. Tolkien, Robert E. Howard, H. P. Lovecraft, Charles Dickens and William Shakespeare, as well as mythology, folklore and fairy tales, often using them for satirical parallels with cultural, political and scientific issues."

There are many ways to read the series, obviously, so I am curious as to what are people's preferred method.

I read them chronologically by publishing date the first time, then once by theme (Watch, Witches, and Moist novels first) and then been reading books here and there kinda randomly (although when I read one Watch novel, I tend to read all of them to the end, plus Raising Steam).

What do others do?

Made this proof-of-concept "Discworld" inspired gameplay video starring Discworld's the Watch

GNU Terry Pratchett!❤️

Collaboration with @Imajunation (https://imajunation.com/), Thijs Viegers and Paco Vink

#Discworld #GNUTerryPratchett #SpeakHisName #TerryPratchett
@discworld

GamesRadar+ can exclusively reveal that Modiphius, the studio responsible for tabletop adaptations of Star Trek, Fallout, and more, is working on a Discworld TTRPG.

Having secured the rights to the beloved series with an agreement from the late author Sir Terry Pratchett's estate, Modiphius is already at work on a Discworld roleplaying game "around the city of Ankh-Morpork and the wider Disc." This will hit Kickstarter later in the year.

Dubbed 'Terry Pratchett's Discworld: Adventures in Ankh-Morpork,' it's the first tabletop RPG to use that setting in almost 30 years. (To be precise, Discworld's last pen-and-paper outing was in 1998.) While it's unclear whether this version will use a new system or utilize one from the best tabletop RPGs, Modiphius promises "to publish tabletop games that honor the humor, satire, and darkly entertaining fantasy series."

cross-posted from: https://feddit.uk/post/7849066

A follow up to a previous post:

Eeek. Writer and narrative designer Rhianna Pratchett has kindled a little frail hope that we might one day play another brand new Discworld videogame, while responding to earlier comments from Perfect Entertainment co-founder Gregg Barnett about who exactly owns the intellectual property rights to Perfect's old Discworld adventure titles from the 90s.

Barnett made these comments during a lengthy interview with Time Extension about the creation of the 90s games. In between the anecdotes about collaborating with Terry Pratchett and getting cussed out by John Cleese, he dangled the carrot of a potential re-release, explaining that the key problem is that half the intellectual property rights for the games have now reverted to the British monarchy under UK law. To quote Night Watch, "two types of people laugh at the law: those that break it and those that make it."

...

"Whenever something closes in the UK, intellectual property rights revert 50% to the original creator and 50% to the crown, which is King Charles. So that's the two owners of the games. So yes, there have been discussions and something may be happening down the track - a rerelease or a remaster. But it's obviously a complicated process when you're dealing with the crown."

...

"We only have rights to the characters, not the games themselves," Pratchett told PCGamer following Barnett's statements. "If we did have the rights, then this would be a whole lot easier. We're genuinely not sure who does own the rights because studios have been bought and sold over the years, along with IP.

"Last time we investigated this, they were thought to be with Sony, but that's never been fully confirmed," she continued. "We'd certainly love to see the old games rereleased. It's news to us if His Majesty owns 50% of the Discworld games. Who knows what might happen if that's really the case. Maybe he's a fan!"

In the same interview with Time Extension, Barnett broached the ambition of making a brand new Discworld game, but suggested that this would be impossible, again due to legal obstacles. "Unfortunately, before Terry passed away, him or his agent or somebody had signed off every property to either ITV or Prime or the BBC literally across the board," he said.

Pratchett says this is incorrect, however. "No one has signed off everything to anybody," she told PCG. "We still own the IP rights... The reason why Gregg got the rights to do the games was that he came with solid ideas which fitted the nature of Discworld. The simple reason that there's never been a fully fledged Discworld game since then is no one has come to us with the right ideas and the resources to actually make it happen."

what the hell happened in there

cross-posted from: https://feddit.uk/post/7568495

In a recent interview with Time Extension, Gregg Barnett (the designer of the classic Discworld point-and-click adventures from the '90s) revealed that remasters of the games may finally be on the cards after years of confusion over who owns the rights.

The series of games based on Terry Pratchett's Discworld books was released between 1995-2000, and is comprised of Discworld, Discworld II: Missing Presumed...!?, and Discworld Noir. All three titles were originally published on PC and were also notably created with the input of Pratchett himself, who helped to edit the dialogue.

For years, it's been believed that the rights around the game were in a state of limbo due to most of the companies involved in their creation either being absorbed by a larger company or going out of business altogether. Still, though, we couldn't resist sneaking in a cheeky question to Barnett during our recent chat regarding a potential rerelease, and his answer sort of took us by surprise.

We asked Barnett whether any retro publishers had tried to contact him to try and pick up the trail of where the rights may be, and shortly after, he replied:

"Yeah! We are a little bit beyond that point. I don’t want to give you a scoop, but a Discworld re-release may happen. The original rights are complicated in the UK, but it turns out that 50% reverted to me as the creator because the company Perfect Entertainment had been closed for over 10 years."

"Whenever something closes in the UK, intellectual property rights revert 50% to the original creator and 50% to the crown, which is King Charles. So that’s the two owners of the games. So yes, there have been discussions and something may be happening down the track – a rerelease or a remaster. But it’s obviously a complicated process when you’re dealing with the crown."

Cohen the Barbarian was angry. Angry that he never died in battle, angry that the world had forgotten him, and angry that his knees were starting to play up in the cold.

He was also angry that his faithful mount had been gifted the ability of magical speech. The horse was insisting that they had made a wrong turn back at Slice.

He was also angry that the horse was probably right.

This was not how it was supposed to end for the barbarian. This was not how the Discworld’s greatest hero imagined it at all.

TROLL BRIDGE is a love-letter to Terry Pratchett and Discworld. It exists because an awful lot of people thought it ought to.

The film is adapted from the short story 'Troll Bridge', published in the anthology 'A Blink of the Screen': https://discworld.com/?s=blink+of+the+screen

Special thanks to The Pratchett Estate, Discworld.com, The Foundry, Shotgun Software, GarageFarm.NET Render Farm, Golaem, our 300 volunteers, and over 4,500 backers. Every frame pressed with love – this is your production.

The solution/key: https://abload.de/img/finalkeyc3c5s.jpg

Original Source: https://shop.paulkidby.com/discworld-massive-massif/

Original Artist: Paul Kidby

Site | Paintings | Drawings |

Paul Kidby is an English artist. Many people know him best for his art based on Terry Pratchett's Discworld. He has been included on the sleeve covers since Pratchett's original illustrator, Josh Kirby, died in 2001.

Anyone else notice that Moist Von Lipvig(Richard Coyle) is narrating the new Going Postal and Making Money audiobooks?

I've only gone through 3 books of the whole series and 2 of which were DEATH books, so, I do like DEATH, and my favorite line is "WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?" in the Book Reaper Man. So, tell me what are your Favorite lines and Favorite characters?

cross-posted from: https://feddit.uk/post/1659628

I've previously mentioned the runaway success of the Good Omens graphic novel adaptation and that has got people thinking about Discworld:

Good Omens' Kickstarter has broken all records for comics on the platform and shows that Terry Pratchett's Discworld is due a rebirth. Discworld is beloved by millions, and despite a spotty history with adaptations, Good Omens shows that it can and should be given the opportunity to flourish.

...

Discworld has had comic adaptations before, including The Color of Magic, The Light Fantastic, Guards! Guards! and Mort. However, these adaptations start at the beginning of Discworld canon, which is significantly weaker than mid and later novels, leaning more heavily into outright fantasy parody than the dense and inviting world that quickly forms. The Discworld books are broken up into both one-off adventures and series following unconnected main characters, most famously the upright Watch Commander Vimes, the powerful and petty witch Granny Weatherwax, and Death, who has a cameo in almost every Discworld novel. At the same time, Discworld's settings evolve as the stories progress, with the city of Ankh-Morpork undergoing social and technological evolution. This kind of true growth and progress is perfect for a serial comic story, as is the ensemble way in which Pratchett structures each book's cast.

One of the major disadvantages with adapting Pratchett's Discworld novels for screen - as seen in pretty much every TV-movie and series - is the huge budget needed to create living, breathing locations shaped by an army of colorful characters, including trolls, werewolves, and orangutans. However, this is far less of an issue in comics, where talented artists can realize Pratchett's vision without breaking the bank. At the same time, Discworld is famous for its witty dialog and strong narrative voice - elements which comics can bring across, especially by drawing on devices like caption boxes and thought balloons.

I finished the second series yesterday and I'm ready to share what I thought of it.

If I have to give it a rating out of ten, ten being perfect, one being not only technically bad but also morally offensive, this is a 6,9. I liked it enough, but series 1 was an 8,8.