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Big brain tech dude got yet another clueless take over at HackerNews etc? Here's the place to vent. Orange site, VC foolishness, all welcome.

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Stubsack: weekly thread for sneers not worth an entire post, week ending 8th June 2025 (awful.systems)

submitted 3 weeks ago by BlueMonday1984@awful.systems to c/techtakes@awful.systems

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Need to let loose a primal scream without collecting footnotes first? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid: Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret.

Any awful.systems sub may be subsneered in this subthread, techtakes or no.

If your sneer seems higher quality than you thought, feel free to cut’n’paste it into its own post — there’s no quota for posting and the bar really isn’t that high.

The post Xitter web has spawned soo many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)

Like, there was one dude a while back who insisted that women couldn’t be surgeons because they didn’t believe in the moon or in stars? I think each and every one of these guys is uniquely fucked up and if I can’t escape them, I would love to sneer at them.

(Credit and/or blame to David Gerard for starting this. Also, happy Pride :3)

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[–] swlabr@awful.systems 1 points 3 weeks ago

Followup to this bit of news: 'Natasha Lyonne addresses backlash to her AI "hybrid" movie'

Link to interview: (variety) (archive)

relevant section from interview:

As the second season of “Poker Face” trickles out, Lyonne is shifting her focus to another project: her feature directorial debut, which she wrote with Brit Marling. Titled “Uncanny Valley,” the movie follows a teenage girl whose grip on the real world unravels when she is consumed by a popular augmented reality video game. The project will blend traditional filmmaking with AI, courtesy of what she describes as an “ethical” model trained only on copyright-cleared data.

“It’s all about protecting artists and confronting this oncoming wave,” says Lyonne, emphasizing that it is not a “generative AI movie” but uses tools for things like set extensions.

When the film was announced in April, many on the internet did not see it that way.

“It’s comedic that people misunderstand headlines so readily because of our bizarro culture of not having reading comprehension,” says Lyonne. “Suddenly I became some weird Darth Vader character or something. That’s crazy talk, but God bless!”

“I’ve never been inside of one of those before,” Lyonne says of the vortex of backlash. “It’s scary in there, if anyone’s wondering. It’s not fun when people say not nice things to you. It grows you up a bit.”

She looks at Johnson, who, in 2017, felt the wrath of “Star Wars” fanboys when he subverted expectations on the critically acclaimed, yet divisive “Last Jedi.” His advice: shut off the noise and just make things. In a social media era where film and TV projects are judged before they’re even made, “any great art, during the process of making it, is going to seem like a terrible idea that will never work,” he says. “Anything great is created in a bubble. If it weren’t, it would never make it past the gestation period.”