[–] [S] 1 point 6 days ago

thank you for your comment jsr, for sure TNG and Voyager, for me, keep the ethical or philosophical question much more consistently at the centre of any episode. but also DS9. DS9 maybe is darker, more political and sometimes more commercial in its storytelling, although it still constantly makes you think. a lot.

And it still does something very Trek: it uses species to reflect us. The Ferengi are probably the clearest example , they exaggerate greed, profit, sexism and status to such an extreme that they expose how poor and ridiculous those behaviours can look when you see them from the outside.

So yes, I agree that For the Uniform is not DS9 at its best ethically. But I still see it as an exception inside a series that largely keeps questioning power, war, occupation, religion and responsibility.

What changes much more clearly after Voyager, for me, is the centre of gravity: spectacle and drama increasingly become the engine of the episode, while the ethical or philosophical question becomes secondary.

That is the shift I am talking about.

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  • [–] [S] 1 point 6 days ago

    thank you a lot for your answer and input. I understand the examples, but I still think there is a difference.

    Having an ethical issue in the plot is not the same as really exploring it. What I miss is the reasoning: different positions being confronted, the consequences being questioned, the characters actually struggling with what is right rather than simply reaching a solution.

    In episodes like The Measure of a Man, I, Borg or In the Pale Moonlight, the ethical question was not just part of the story. It was the story.

    That is what feels different to me now. The themes may still be there, but they are often used as part of the sci-fi scenario rather than examined with the same depth.

    So my point is not that modern Trek never raises ethical questions. It does.

    I think it no longer stays with them long enough.

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  • [–] [S] 1 point 6 days ago

    I think we are talking about two slightly different things.

    Your example is about proportion: some means are appropriate to an end and others are excessive.

    My point is more about moral legitimacy.

    A method can be effective, proportionate and still be ethically wrong because of what it does to someone else.

    That is what Star Trek used to examine so well: not only “will this work?”, but what are we becoming responsible for by choosing this way of getting there?

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  • [–] [S] 1 point 1 week ago

    I don’t find that explanation very credible.

    Picard had seven seasons and 178 episodes of TNG, plus the films, in which he went through assimilation, torture, captivity, profound loss, command failures, war and repeated moral crises.

    Those experiences changed him, of course. But they never erased the way he thought.

    That was one of the strengths of Star Trek: character development did not mean replacing a character’s moral architecture. Change had to grow from what had already been established.

    So the issue for me is not that Picard changed. People change. The issue is whether that change feels earned and coherent.

    After decades of seeing him confront trauma without abandoning the habit of asking what is right beyond himself, simply saying “the universe became harder, so he became harder” feels too easy.

    Star Trek used to make that tension itself part of the story.

    That is what makes this version of Picard feel less like evolution and more like a rewrite.

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  • [–] [S] 1 point 1 week ago (1 child)

    I completely agree.What I loved about old Trek is exactly this: it did not just present a moral position, it kept reopening the question from different perspectives.

    A treaty could be legal and still create injustice. Neutrality could become complicity. Resistance could be understandable and still morally difficult. Starfleet itself could be wrong. And the characters were forced to reconsider what they thought they knew.

    That is what made the episodes so powerful. They were not simply telling us what to think — they were making us think.

    And often they did it through different species, occupations, conflicts and political systems that clearly reflected real human problems without reducing them to slogans.

    That depth is exactly what I miss. Every episode could leave you with a real ethical question after it ended.

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  • [–] [S] 1 point 1 week ago (1 child)

    tyhank you for your great answer and thinking, I really appreciate you, and I understand your reading, but I still disagree that the ending reaches the same ethical place.

    For me, the future of old Trek was not built simply on trust. Trust came from an ethical framework. Old Picard would not just ask a persecuted minority to trust him and the Federation that had already outlawed them. He would first ask: do they have the right to seek protection? From whom? And when does protecting one persecuted group become the destruction of another?

    Trek had already spent years asking these questions with Data: when does created life become a person, when does ownership become slavery, and what obligations do creators have toward the beings they create? The Measure of a Man is basically built around that question.

    And this is where the Alliance of Synthetic Life bothered me too. They are supposedly a vastly superior synthetic civilisation, yet their reasoning is essentially the most basic human response: you persecuted us, therefore we will destroy you. That felt incredibly simplistic.

    One of the strengths of old Trek was that other species did not simply think like humans in different bodies. The Founders in DS9 are a perfect example: their entire perception of identity, individuality, solids and belonging comes from being Changelings. You can disagree with them morally, but their reasoning grows from what they are.

    That was what made the encounters interesting. The alien civilisation brought a genuinely different logic to the table, and Star Trek used that difference to make us look at our own conflicts: race, religion, power, minorities, occupation, fear. from another angle.

    So yes, the synths eventually stand down. But for me the more interesting Star Trek story was the ethical argument that should have happened before that decision.

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  • [–] [S] 1 point 1 week ago

    tyhank you for your great answer and thinking, I really appreciate you, and I understand your reading, but I still disagree that the ending reaches the same ethical place.

    For me, the future of old Trek was not built simply on trust. Trust came from an ethical framework. Old Picard would not just ask a persecuted minority to trust him and the Federation that had already outlawed them. He would first ask: do they have the right to seek protection? From whom? And when does protecting one persecuted group become the destruction of another?

    Trek had already spent years asking these questions with Data: when does created life become a person, when does ownership become slavery, and what obligations do creators have toward the beings they create? The Measure of a Man is basically built around that question.

    And this is where the Alliance of Synthetic Life bothered me too. They are supposedly a vastly superior synthetic civilisation, yet their reasoning is essentially the most basic human response: you persecuted us, therefore we will destroy you. That felt incredibly simplistic.

    One of the strengths of old Trek was that other species did not simply think like humans in different bodies. The Founders in DS9 are a perfect example: their entire perception of identity, individuality, solids and belonging comes from being Changelings. You can disagree with them morally, but their reasoning grows from what they are.

    That was what made the encounters interesting. The alien civilisation brought a genuinely different logic to the table, and Star Trek used that difference to make us look at our own conflicts: race, religion, power, minorities, occupation, fear. from another angle.

    So yes, the synths eventually stand down. But for me the more interesting Star Trek story was the ethical argument that should have happened before that decision.

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    From Janeway, Picard and Sisko to modern Star Trek: what happened to the ethical future we were once asked to imagine?

    I have been watching Picard, and I am genuinely surprised by how much the ethical structure of Star Trek has changed.

    I am not talking about nostalgia, and I am not saying that characters should remain exactly the same for thirty years.

    I am talking about something much more fundamental.

    TNG, DS9 and Voyager were built around an ethical premise that, for me, was one of the strongest elements of Star Trek:

    THE END DOES NOT JUSTIFY THE MEANS.

    This principle appeared again and again.

    Characters could make mistakes. They could become angry, afraid, traumatised or confused. They could even cross ethical lines.

    But the line existed.

    And when they crossed it, Star Trek stopped and examined what that meant.

    That was the difference.

    The characters did not simply ask:

    Can we do this?

    They asked:

    Do we have the right to do this? What will this choice make us? What responsibility comes with the power we have?

    Voyager is probably the clearest example.

    They were trying to cross an impossible distance to return home. They could have justified almost anything through survival.

    But they did not.

    Again and again they accepted a longer journey, greater risk and personal sacrifice because reaching home could not justify destroying another civilisation, exploiting another species or abandoning the principles they represented.

    That was not weakness.

    That was the entire point.

    Humanity had evolved technologically, but Star Trek proposed that perhaps we could also evolve ethically.

    And this is where I struggle enormously with Picard.

    Picard himself feels fundamentally different.

    The Picard I knew could certainly be wrong, but his reasoning had extraordinary internal coherence. He questioned himself. He debated. He understood that being captain was not simply having authority — it was carrying responsibility for how that authority was used.

    The new Picard often feels reactive, impulsive and strangely ineffective.

    For me, that is not simply “an older and more vulnerable Picard”.

    It changes the architecture of the character.

    And Seven of Nine is even more difficult for me.

    Seven was one of the characters I identified with most.

    Her journey in Voyager was not simply about becoming emotional or “more human”.

    It was about learning how to be human while maintaining discipline, logic and integrity.

    She struggled with identity, belonging and emotion, but what made her extraordinary was precisely her effort not to become governed by impulse.

    She could be wrong. She could be severe. She could misunderstand human behaviour.

    But revenge was never the foundation of the character.

    Her relationship with the Doctor was particularly important because both of them were learning what humanity meant almost from the outside. Their logic often exposed the inconsistencies of ordinary human behaviour.

    Now I find Seven driven by anger, punishment and revenge.

    At times she feels closer to a Klingon archetype than to Seven of Nine.

    For me, this is not character development.

    It is a different character.

    And the change goes beyond Picard and Seven.

    The entire universe feels different.

    The older Star Trek made an extraordinary effort to maintain coherence.

    Character coherence.

    Ethical coherence.

    Political coherence.

    And even scientific coherence, as far as science fiction could reasonably achieve it.

    Of course there were mistakes across hundreds of episodes, but you could feel that the writers cared about the rules of the universe they were creating.

    A decision made years earlier could still matter.

    A species had a culture and internal logic.

    Technology had rules.

    Characters carried the consequences of what they had experienced.

    And most importantly, Star Trek was never simply fantasy in space.

    It was asking something.

    What could humanity become if we improved?

    Not if we became perfect.

    If we improved.

    What would happen if curiosity became stronger than conquest?

    If responsibility became stronger than ego?

    If knowledge created an obligation rather than simply power?

    If we learned that having the ability to do something did not automatically give us the moral right to do it?

    That was what made Star Trek different from ordinary science fiction.

    It was not the Enterprise.

    It was not warp drive.

    It was not aliens.

    It was the idea that the future could contain people who had learned something that we still struggle to understand today.

    I started watching Star Trek when I was around 18, and this philosophy genuinely influenced the way I grew up.

    I saw many things I already believed in expressed in a more evolved society, and it made those principles feel possible rather than naïve.

    Responsibility mattered.

    Integrity mattered.

    The method mattered as much as the result.

    The end did not justify the means.

    DS9 challenged this perhaps more

    1. JANEWAY — Caretaker THE COST OF DOING WHAT IS RIGHT

    “I’m not willing to trade the lives of the Ocampa for our convenience.”

    JANEWAY — CARETAKER 70,000 light-years from home. The easier way home would cost someone else their future. She refuses.

    1. PICARD — I, Borg POWER DOES NOT CREATE THE RIGHT TO USE IT

    Caption:

    PICARD — I, BORG He could destroy the enemy that once destroyed him. Having the power does not give him the right.

    1. SISKO — In the Pale Moonlight WHAT HAPPENS WHEN THE END DOES JUSTIFY THE MEANS?

    Caption:

    SISKO — IN THE PALE MOONLIGHT He crosses the line — and he wins. The episode is about the moral price of that victory.


    JANEWAY I will sacrifice our advantage rather than sacrifice them.

    PICARD I will not become my enemy in order to defeat him.

    SISKO I crossed the line to save millions — now I have to live with what I became.

    When did Star Trek stop making the moral cost the story — and start treating moral compromise simply as character development?

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