Khrux

In the film, we see the ring shrink to Isildur's ring size when he hold it, and it remains that size when Déagol finds it, after thousands of years without a carrier.

If you put it on a chicken, it is also gonna get really small, like chicken fingers small.

I'm not sure if this is a pro or con.

I swapped to it in May from Endeavour OS as I happened to be doing a clean install, and 90% of my PC usage nowadays is gaming, and I have never looked back, even though I thought Endeavour OS would have been the end of my Distro hopping.

I went into this lukewarm on Nolan and a massive nerd for The Odyssey, so I was primed to be unhappy with any unfaithful choice, but honestly I was absolutely blown away.

One thing that stood out to me would be the general interpretation that the sea people causing the bronze age collapse was actually the declining of an honour code that is seen in the ancient greek laws of hospitality. I'd often thought about the tonal shift between the age of heroes and the Illiad onwards, how the Caledonian Boar Hunt may have been the last key event of Heroic age, and by the end of The Oresteia and The Aeneid, the early identity of the post-bronze-age collapse Mediterranean societies are visible. The sea people concept is largely debunked now, and the collapse is generally considered to be a mix of famine, climate disasters and most importantly the collapse of relationships between the east Mediterranean states.

Nolan then taking this as Odysseus's fear of travelling home, a changed man, to a world he changed for the worse, is particularly powerful, and his take on Athena as a manifestation of this guilt at breaking Zeus law and witnessing a very real rape and pillage of the city due to his subterfuge was good. I also think that Zendaya was very likely this interpretation's version of Cassandra too, which is neat.

I went into the film already guarded against the visual style. I'd have loved to have seen an authentic approach at bronze age style from talented art directors and production designers, and I had similar feelings about the muted and gloomy colour palette. I still have these feelings; everyone looked like a monochrome Roman, not even a classical Greek, but seeing the direction as a whole, I understand the choice. The somber narrative, editing style, soundtrack, etc, all serve the same tone that the muted and stripped by colour and art style do.

That said, I'm shocked at the lack of spears in this film. Everyone fights with short swords and no shields, which is basically a Hollywood fantasy in any time in history, but this is the iconic era of spears. I counted one use of a spear, despite several war scenes, and almost every death at the hands of a weapon would have been prevented with a shield.

As a fun side fact, people who play VR combat games like Blade and Sorcery often start using swords and default to spears and clubs, because they're incredibly intuitive to untrained people compared to swords, which have a far more tactical skill ceiling, making them the default of soldiers right through the era of knights with swords.

Another fun side fact. Ajax, a 5th Century BCE poem about the PTSD driven suicide of Ajax the Greater towards the end of the Trojan war, was performed to 500 marines in 2008, I think by Al Pacino, Donald Sutherland, and Michael J. Fox, and was remarked to resonate incredibly strongly with the audience. Myth from the Trojan was onwards suddenly really cares about consequence, particularly in regards to the human condition.

My other pet peeve is the sound design of the weapons (Odysseus's incredible bow string sound excluded). This was a very 'swish and pew'. Back in the early 2010s, I stumbled across a Skyrim mod that changed the bow sounds (example here) and I was amazed how much more satisfying it was, not just from a realism point, but just a pleasant resonant heavy sound, like how shooter games have hit marker sounds. Not just was every launched arrow (including from Odysseus) very whistly, but so was every sword swing. For a film with otherwise incredible sound design (so good I'd peg it for winning the oscar this year), every fight was a bland cartoony swish fest.

I also thought the massacre of the suitors was a little bit unwarranted in it's action set piece style. It makes sense that a trained warrior king who spent a decade in a bloody war would be a better combatant and a bunch of immature suitors, but I think it just overstepped my suspension of disbelief a few times, in a way the monsterous and magical elements didn't.

My closing thought is that this may be one of the best adaptations of Greek myth at all. It's ability to take the tonal shift that is the Trojan war and its concluding breaking of Zeus's Law and the sack of the temple of Athena, pointing that to the beginning of the end of Mycenaean Greece, and its neighbours, and then tying that so incredibly to Odysseyus's character arc and PTSD is so well done. The fact that my cirques are so specific and nit-picky is a testament to the strength of this film.

It's strange to look back at the Legend of Korra and realise it was totally fine, just worse than the original show, when comparing it to literally everything else that's come from the IP since.

I played and modded Skyrim at the wazoo back in the day too, and haven't touched it in a decade. It still holds a really special place in my heart in a worldbuilding and lore space that nothing I've played since, newer or older has sated quite as strongly, including other elderly scrolls games.

I've just started replaying it, as there is basically an entire story's worth of high quality expanded mod content to explore, plus the original game has faded to a point of re-enjoying it. I'm probably going to introduce my partner to it with my own riff on the Gate to Sovngarde modlist.

The thing is, I don't care for the next game. I have no trust in Bethesda to make something that scratches the itch that Skyrim did, I don't expect it to be moddable in the same way looking at the creation club, and I literally expect it to be an objectively boring game.

If I want more of the elder scrolls experience I fell in love with, I have it in the old games.

That's equally just because when working with adults after education, I feel like we all become so blind to age.

It's kinda accurate as we're all on different life paths, one colleague may be 19 with two kids, another may be 30 and their life revolves around Minecraft. Either is fine of course, but I just start seeing all colleges as a nebulous colleague age.

I finally got round to a significant upgrade to my PC last week. I've been running the same PC for 10 years, and it's really been dying. Fans and HDDs were failing, and it couldn't play new games at all.

I haven't replaced my GPU (still on a GTX 980ti) but I jumped to some decent DDR4 RAM, a better CPU, and moved into an SFF case, but I have no confidence any prices are set to stabilise, so I just gave in and built what I could.

Mushroom circles grow in circles because they drain the nutrients from the ground, and eventually you have a nutrient barren center that grows with the ring of mushrooms around it.

I wonder if this is something similar, although I've not heard of mold using up a resource before.

I'm 95% sure it isn't, I've obsessed over that game for years and this makes no sense to me.

Edit: It's the wizard of Oz

TLDR: I think AI is coming for teaching (for better or worse), but not coming to replace us, because the teacher:student ratio is already as poor as can be.

I'm a teacher. Giving a serious answer, AI is likely going to be very involved in this industry over the next decade, purely for it's ability to track and scaffold individual learning better than one adult doing the same for 30 people, but that would require a shift to even more digital learning, which takes the "how" of teaching out of the hands of a teacher in a way it currently is not.

That said, I don't actually think it's coming for my job precisely because there is 1 teacher to every 30 students. If you compare us to how cashiers have been replaced by self service tills, teachers have already been stripped to a minimal coverage of the classroom, and you cannot have 30 students independently working, because children and teenagers are predominantly motivated to avoid working. I'm this regard, it can only supplement our job, as they can't meaningfully cut the adult to student ratio further for safety reasons.

Also, although I think it'll start to be seen in the next 10 years, I'm not sure where it would come in. State schools do not have the budget, energy or time to experiment with individualised AI learning support, and private schools prefer to maintain older styles of teaching for a long time, as they prioritise the development of attitude and trust over academic scores as not only does it supplement academic scores, but it is what the corporate employers of privately educated students seek above merit.

Funnily enough I actually have Firefox open by default whenever I boot up my PC.

I have no taskbar or desktop items. I always default to a specific workflow of pressing the windows key (or whatever we call it for Linux), and searching for everything. I have since early windows 10.

I realised that 90% of the time, I was opening Firefox, so now it just opens. I have a pretty minimal toolbar setup for it, so it's basically just an address bar that automatically focuses when I start typing.

One day I'll set up something where I have multiple search hotkeys for web search, file search, application search, music etc, that will sort of replace this.

China aren't strictly speaking allies. They get a lot of oil from Iran and have plenty of deals in place, to the point that many people believe that the Venezuela coup and Iran war are a US ploy to destabilise China specifically.

China basically stay out of geopolitics far more than people assume. They are very unlikely to enter the Iran war on either side, ever.